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Test Code : 9L0-827
Test Name : Final Cut Pro 7 End User Level One
Vendor Name : Apple
: 66 Real Questions

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Final Cut Pro 7 End User Level One education

know Your Rights: H.264, patent licensing, and you | 9L0-827 Real Questions and VCE Practice Test

you might be an ass. actually, what's the deal?

k, smartly, as you might recognize, H.264 is the codec used in everything from YouTube to Flip cams to HD-DSLRs to Blu-ray, and it be the general Apple's backing over Flash for video on the web. Microsoft and Google are additionally backing H.264, however neither is being as militant about Flash. H.264 is as a consequence a big Deal -- it be very doubtless the way forward for video on the information superhighway and past.

this is bought americans all sizzling and , because counting on how you use H.264 you must pay license prices to the MPEG-LA, which represents a lot of patent-holders that came together to create the commonplace. We're talking some foremost industry heavyweights right here: apart from Apple and Microsoft, the H.264 patent roster comprises Panasonic, Sony, Dolby, Thomson, and Toshiba -- in all there are 26 organizations or corporations listed as keeping H.264 patents. (As an apart, Apple has a single patent within the pool, whereas Microsoft has around 75, and Microsoft says it really pays more in license prices than it collects in royalties.)

Oh, and AT&T additionally has some patents on MPEG-four it wants license charges for, but it surely's not part of MPEG-LA, and those rates should be negotiated one by one.

That doesn't sound very open. Did Steve Jobs mislead me?

there's a crucial difference between "open" and "free" here. youngsters H.264 is an open common, in that it become developed by way of a consortium of organizations and anyone could make and sell an encoder or decoder, or not it's not free -- you have got got to pay for a royalty price to make use of it, and the costs are set through the MPEG-LA, which collects payments and distributes them to its members. The fundamental price sheet and license terms are publicly attainable in summary kind (PDF) on the MPEG-LA's website -- it's certainly viable for groups to strike custom offers, but for their functions the public document presents a superb baseline.

So what are the charges, and who has to pay?

a superb query that cuts to the heart of the depend. remember, patents cowl making, the use of, and promoting the patented know-how, so the MPEG-LA definitely offers two licenses: one for codec builders (who make and promote the patented H.264 expertise) and one for video content material and service suppliers (who use it to distribute H.264 encoded content). The charges vary enormously; the each year royalties for distributing an encoder latitude from free to $5m, whereas the royalties for distributing for-pay content are discipline to advanced guidelines about distribution but additionally range from free to $5m. In any event, MPEG-LA has talked about to us that handiest the parties on the excellent and bottom of the H.264 tool chain are frequently required to pay royalties; it truly is, the party who makes the encoder, and the celebration who distributes the encoded file to the conclusion users. which you can feel of that as the first and last transaction, in case you like -- the grownup who sells the encoder and the adult who sells the content are those who ought to pay.

That finally ability products that come with an H.264 codec don't additionally include a license to use the codec commercially -- with a purpose to distribute H.264 content in a way that makes money, the distributor has to pay for a separate license. So items like windows 7, Mac OS X, closing cut professional, Avid, and contemporary video cameras don't seem to be licensed to distribute video for business use -- all of them have fine print somewhere that claims they're for personal and non-commercial use simplest. it be language that feels incredibly aggressive and wide, principally because it curiously conflicts with the MPEG-LA's prevalent position that best the ultimate link within the chain -- the celebration promoting or distributing the video to the conclusion user -- has to pay royalties for the usage of the H.264 encoder.

Ouch. So people are mad because they need to pay to make and distribute videos for industrial use?

the usage of H.264 to distribute free internet video to end clients would not cost a thing, and may not cost anything else until at the least 2015. yes, however's no longer as dangerous as it appears. First off, now they have at once asked MPEG-LA whether or now not using an H.264 digicam easily to shoot video for a business aim requires a license, and the answer isn't any. now they have also requested no matter if an conclusion user gazing H.264 videos would ever must pay or be licensed, and the answer to that query is additionally no. yes, the license phrases are worded poorly, however these are the answers straight from the patent horse's mouth. everyone can breathe again, 'kay?

On right of that, there's a huge exception to the license rules that should put any lingering fears to leisure: the use of H.264 to distribute free cyber web video to conclusion users doesn't can charge a thing, and might not cost anything else until at the least 2015. After that, or not it's up in the air, and that's the reason a bridge they are going to have to pass once they come to it -- there's a chance the MPEG-LA might birth charging a royalty without charge video in 5 years. but for at the moment MPEG-LA president Larry Horn says the neighborhood does not are looking to "plug a royalty into a business model it truly is nevertheless unsettled." it's also crucial to notice that the MPEG-LA cannot simply run off and do something it wants; its selections are made through the a number of patent holders it represents, many of whom are additionally nevertheless trying to determine the economics of video on the internet themselves.Yeah yeah. Can they sue me or what?

although a license charge for free of charge internet video is required after 2015, it's nevertheless the obvious company of the video that's on the hook for the license, no longer the content owner or conclusion user -- Google would need to pay the royalty for the YouTube videos it hosts, just Apple now has to pay the price for the films it sells via iTunes and DirecTV has to pay for the content it pronounces. it's a tremendous distinction, and it be one which all of these organizations seem to be at ease with -- they signed the contracts, in spite of everything. yes, if you are a professional and you by some means end up selling H.264 videos at once to conclusion clients you'll need to sign a license and doubtlessly pay up, however hello -- if you're doing that you just're running an specific enterprise and you need to go discuss with a real legal professional, no longer a disembodied third adult mp;A on the web.

To repeat the element: as an end person, you are going to certainly not ought to think about your prison liability over H.264, as a result of there's no want for you to be licensed except you might be distributing industrial content material to different conclusion clients or constructing an H.264 encoder. they might venture a wager and say you are doubtless using a licensed camera and utility and importing to capabilities like YouTube or Vimeo or Viddler, and that capability you're absolutely within the clear.

ok, so why the entire fuss? This looks fairly essential to me.

neatly, not truly. here is the web, where people hate buying issues, and youngsters end clients might not have to without delay pay for H.264 licenses, the very concept of any one or any business having to pay a license for a video codec has sparked off a firestorm of controversy, most of which is situated round even if or no longer H.264 is "free" or "open," and whether or now not alternative open-supply and royalty-free codecs like Ogg Theora are improved for technical, emotional, or ethical reasons.

it is a really crucial and legitimate debate, however issues get messy for those who birth throwing around terms like "free" and "open" without an understanding of what they particularly mean, and that they get even messier if you happen to do not look on the precise license phrases. And on properly of all of that, issues get downright heated if you combine within the proven fact that Apple's making the largest push for H.264, as a result of, smartly, people get enormously irrational when it involves hating or loving Apple.

damn straight. however would not an open-supply and royalty-free codec like Ogg Theora truly be improved? And cheaper?bound it will, and we'd fully love for a free alternative to win out. nevertheless it's no longer that simple. First, many people believe that H.264 is superior to Theora, which is in response to the VP3.2 codec released by using a corporation called On2 in 2000. second, it be also viable that Theora infringes patents held through MPEG-LA individuals and different codec developers, and that places whoever makes use of it liable to a patent lawsuit -- Larry Horn has flatly referred to Theora infringes MPEG-LA member patents in fresh months. nobody is aware of the answer to that question, given that it's eventually for the courts to come to a decision, nevertheless it injects a fit amount of worry and uncertainty to the mix, and most groups tend to shy away from uncertainty -- peculiarly when or not it's about potentially massive prison legal responsibility.

So the real alternative for many corporations is to check in with H.264 and the MPEG-LA in return for a baseline level of prison coverage and vast compatibility with a codec that is been largely adopted in the market, or to go along with Theora, save the funds upfront and possibility a patent lawsuit down the highway while transport a doubtlessly inferior product. depending on your element of view, that is either quite a racket the MPEG-LA's acquired going or or not it's simply ruthless tech trade business as standard, but there's the basic condition. to assert that there are an excellent many wise people accessible with passionate viewpoints on either aspect of this debate could be a particularly hilarious understatement.

Now, Google in fact bought On2 in February, and there is lots of chatter that it may open-source a codec related to Theora called VP8 at the I/O convention this month, however releasing the source to anything doesn't erase any skills patent legal responsibility, and VP8 can be manner behind H.264 in terms of market adoption. We're desirous to discover what Google has planned, however let's be straight right here: or not it's going to take a major, major circulation for VP8 to have any impact on the H.264 juggernaut. Let's comply with name VP8 a big question mark for presently, shall we?

So why does Firefox assist Theora and never H.264?

it all goes lower back to the licensing phrases they mentioned above -- in order to ship an H.264 decoder with Firefox, Mozilla would need to pay the MPEG-LA anything around $5 million a 12 months.

that is not cheap.

Nope. What's greater, Mozilla remains actively opposed to doing the rest that would violate its free-utility principles, and transport code that comes with non-free, non-redistributable license duties really goes against that spirit. they will absolutely appreciate that.

Yeah. So what to do?

that is a rock and a tough place for Mozilla. for example, Firefox might leverage the H.264 decoders built in to windows and OS X to play H.264 content with out paying the fees, but that receives appropriate again to having content on the web that isn't "free," and that is the reason no longer whatever thing Mozilla looks to be attracted to assisting. If H.264 continues to conform and gain common support available in the market, Mozilla can also eventually need to make an inconceivable choice between idealism and compatibility, and we're now not even going to are attempting and predict how that one will prove -- be aware, we're having this H.264 dialog presently since it's in line to change Flash video, which is arguably even much less free and open.

okay, this all sounds super advanced once again.

well, it form of is. however it's not so complicated that the market can't figure it out -- and because or not it's not conclusion clients who're without delay paying here, the market is actually the groups and companies that need to possibility real money and actual consequences on their decisions. And that market is pretty frequent with patent swimming pools: MPEG-2 has been licensed by using the MPEG-LA for 20 years now, while HDMI, WiFi, 2G and 3G phone features, USB, CDs, DVDs, and Blu-ray discs are all standards managed through equivalent licensing corporations. they might note at present none of those preparations have resulted in the death of any type of creativity.Ke$ha.

surprising point.

greater critically, or not it's obtrusive the MPEG-LA and its licensees may still be clearer with shoppers about what's up with commercial licensing and who needs to pay for what. That hidden own use pleasant print feels actually sneaky, and pro users should get some readability on what's required of them -- you don't mess around with americans's livelihoods within the nice print, you comprehend? A clarification from the MPEG-LA and a few larger notices on the front of the manuals are obligatory in short order.

however look, or not it's no longer frequently Apple, Microsoft, Google, DirecTV, Sony, Toshiba and some 810 different groups all again a standard collectively. Barring some insanity -- and they by no means bar any madness -- they would say H.264 has already received this 12 months's version of the layout battle.You talk a lot. So when is Engadget going to start providing HTML5 / H.264 movies in its place of Flash?

2200 phrases later, and you nevertheless needed to go there, didn't you?


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